Clark Buckner
publications
- The Experimental Conditions of Exhibition Practice: On the Curator’s Role in Contemporary Art
- “Continental Rifts: Contemporary Time-Based Works of Africa,” at the Fowler Museum
- Beyond the Hermeneutics of Desire: On the Vicissitudes of Lacan’s Concept of the Death-Drive
- Shop Talk at SFMoMA, Part I: Where is the Shadow in the Shop?
- Nicholas Nixon: About Forty Years
- “100 Artists See God,” at the Contemporary Jewish Museum
- ImPossible! Eight Chinese Artists Engage Absurdity
- 400 Words on Erwin Wurm’s Conceptual Scupture
- What, For The Coens, Does It Mean To Be “Blood Simple”?
- Outland: 400 Words on Roger Ballen’s Photography
- The Artist, the Sage, and the Butterfly: Ideas and Aesthetics in Post-Conceptual Art
- The Sound of the Street: 16th and Mission, San Francisco
- In the Valley: Larry Sultan, the Porn Industry, and the Place Where He Grew Up
- Feedback: Television Against Democracy, by David Joselit
- “Ten Years of Conversations,” Joseph Grigely at Yerba Buena Center for the Arts
- Profit Free Zone: A (now dated) Survey of Bay Area Art
- The Supplement at the Origin: Or, Deconstruction in a Nutshell
- Anxiety and Aporia: Or, What for Lacan Makes Deconstruction Reassuring?
- Together We Can Prevent Earthquakes: Wall Drawing by Tucker Nichols
- The End of Art History?: Against Arthur Danto
- Participation, ed. by Claire Bishop
- Shop Talk at SFMoMA, Part II: Would the “Real Artist” Please Stand Up?
- The Surplus Enjoyment in Banal Evil: Arendt After Coppola’s The Conversation
- I – Object: Sculpture, Performance, and Photography by Justin Hoover, Laura Boles Faw, David Peña Lopera, and Kathryn Williamson.
- The Sleep of Reason: Sui Jianguo at the Asian Art Museum
- A Spoonful of Sugar at the Luggage Store
- The Lacanian Real
- Raw Intelligence! The Coens’ Craziness and the Constitutive Inconsistency of the Signifier
- Bling Blasian Bling: Iona Rozeal Brown and Stella Lai at the Luggage Store
- Ant Farm: 1968 – 1978, Berkeley Art Museum and Pacific Film Archive
- Jacques Lacan: For the First Time, Now!
- Alice Shaw: Photographs, Drawings, and Cheatings
- The Pluralism of Aesthetic Autonomy in Kant’s Analytic of the Beautiful
- The Pink Show at Creativity Explored
- Superego / Sublimation: Slavoj Zizek, Simon Critchley, and the Ethics of Psychoanalysis
- Version: Video by Kota Ezawa and Michelle O’Marah
- Paper Bullets: A War of Words
- Adrift: Thomas Wrede at Nicholson Gallery
- Meat Show: San Francisco Arts Commission Gallery
- Where Vision Gets Built: Lehman Brothers, 745 Seventh Ave., New York
- Fluttersuckers: Chris Finley at Rena Bransten Gallery
- Bodies in Space(s): Negotiating Sites/Sights
- Dislocation: 400 Words on Beth Yarnelle Edwards
- John Bankston at Rena Bransten
- The Pink Show at Creativity Explored
- South Side: Sculpture, Photography, and Video by Tracy Snelling
- We All Must Play Our Parts: Video and Photography by Julia Page
- Places, Sounds, Words: Sound Art and Photography by Sirpa Jokinen
- Jason Mortara, First Artist on Mars
- Chris Dorosz: Paintings
- Un/Freedom: Civilization’s Discontent and the Traversal of Fantasy
- Epic at Southern Exposure
- Motel Cucaracha: Jenifer K. Wofford at A.O.V.
- As Is: Video and Collections by Katherine McInnis
- Anti/Social (Juried Exhibition)
- I.O.U. (Juried Exhibition)
- Jonestown Had A Garden, Karin Smith, Mission 17’s Visual / Cultural Critic in Residence
- Five and a Half Years of Art in San Francisco
- imPossible!: Eight Chinese Artists Engage Absurdity (SFAC / SFCCC)
- Elevation: Installation and Sculpture by Amy Hibbs and Chiei Ishida
- The Red Shadow: Bearing Witness and the Burden of Existence in Rashin Fahandej’s Sahyeh Sorkh
- Superego / Sublimation: Slavoj Zizek, Simon Critchley, and the Ethics of Psychoanalysis
- The Pluralism of Art’s Autonomy: Reflections on Modernity and Modernism
- Above Under Glass: Installation by Gigi Janchang
- John Bankston at Rena Bransten
- Clark Buckner Curates Stephanie Syjuco: An Experiment in Exhibition Practice
- The Land of a Million Cereals: Mixed-Media Installation by Ryan Alexiev
- Robert Arneson: Political Drawings